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Mademoiselle Mabry (Miss Mabry)


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8 thoughts on “ Mademoiselle Mabry (Miss Mabry)

  1. The song "Mademoiselle Mabry (Miss Mabry)", while credited to Davis, is actually Gil Evans' reworking of "The Wind Cries Mary" by Jimi Hendrix (Davis and Evans had met with Hendrix several times to exchange ideas).: At the same time, some portions of the song resemble Mann, Weil, Leiber and Stoller's "On Broadway".: 52Genre: Post-bop, jazz fusion.
  2. Aug 13,  · "Mademoiselle Mabry (Miss Mabry)" by Miles Davis: submitted: /08/12 revised: /08/13 This one is the last track off Miles Davis' "Filles de Kilimanjaro". The tune is parallel with Jimi Hendrix' "The Wind Cries Mary" in the chromatic three-chord figure (e.g. at bar 5 and a variation at 1st bar). Electric piano and.
  3. Nov 01,  · Mademoiselle Mabry (Miss Mabry), a song by Miles Davis on Spotify. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, Music Duration: 16 min.
  4. Transcribed by VILLE V. () MEDIUM SLOW q = 72 {P`i`a`n`o` `R`.`H`.`} {T`r`u`m`p`e`t` `S`o`l`o` `B`e`g`i`n`s` `4`t`h` `T`i`m`e`} MILES DAVIS MAdEMOISEllE MABRY (MISS MABRY).
  5. Nov 01,  · Listen to Mademoiselle Mabry (Miss Mabry) on Spotify. Miles Davis · Song · Music Duration: 16 min.
  6. Mademoiselle Mabry (Miss Mabry) Credits (12) Miles Davis Trumpet, Written-By. Dave Holland Bass. Ron Carter Bass. Hiro (51) Cover. Anthony Williams Drums. Arthur Kendy Engineer. Frank Laico Engineer. Ralph J. Gleason Liner Notes. Chick Corea Piano, .
  7. Mademoiselle Mabry (Miss Mabry) Credits Bass – Dave Holland (tracks: A3, B2), Ron Carter (tracks: A1, A2, B1).
  8. Since it's billed as "Directions in Music by Miles Davis," it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock kettmaldaysubhotchcep.constranilcomdownccomcapsmetphytomcone.co also happens to be the swan song for his second classic quintet, arguably the finest collective of musicians he ever worked with, and what makes this album so 9/

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